Out in the lands of Mehmd mammals and avians are rare. Many of the ecological and domestic niches are instead filled by lizards, amphibians and dinosaur-like creatures. The Taien Sahul are small saurs based on the Velociraptor by Sam Stockdale at ENWorld.
In Mehmd they tend to roam the wilderness, though certain tribes of Unkempt in the South and the Isles use them as companions. When free they roam in packs of 9 or so (3d6). Their Pounce needs quite a distance in order to be used, but when the commit they tend to rush prey quickly. Taien Sahul can survive in deserts, having advantage on CON checks to deal with dehydration.
Taien Sahul – the ripper lizard Small beast, unaligned
Armor Class 13 (natural) Hit Points 3 (1d6) Speed 45 ft., climb 10 ft.
STR 7 (–2) DEX 15 (+2) CON 10 (+0) INT 3 (–4) WIS 14 (+2) CHA 7 (–2)
Skills Perception +4, Stealth +4 Senses passive Perception 14 Languages — Challenge: ½ CR 50 xp
Keen Sight: The raptor has advantage on sight-based Perception (WIS) checks. Pounce: If the raptor moves at least 30 feet straight toward a target and then hits with a claw attack on the same turn, that target must succeed on a DC 10 Strength saving throw or be knocked prone. If a target is prone, the raptor can make one bite attack against it as a bonus action. Pack Tactics: The raptor has advantage on an attack roll against a target if at least one of the raptor’s allies is within 5 feet of the target and isn’t incapacitated.
ACTIONS Multiattack: The raptor makes two melee attacks, usually using both claws unless they’ve pounced. Bite:Melee Weapon Attack: +4 to hit, reach 5 ft., one target. Hit: 1d4+2 piercing damage. Claws:Melee Weapon Attack: +4 to hit, reach 5 ft., one target. Hit: 1d4+2 slashing damage.
There’s a doc open on my computer almost every day. I’m crafting an original D&D adventure for a charity game come spring time. For that adventure I’m researching various tree-monsters. These are common in the fiction which is inspired by and that inspired Dungeons & Dragons. There’s Treants/Ents from Lord of the Rings and the Flying Forest and Sentient Trees of The Magicians.
Within the game there are Awakened Shrubs and Awakened Trees in the Basic Rules. Kobold Press introduces us to a Dragonleaf Tree, in Tome of Beasts for 5e.
But trees can help us with more than just monsters. They can inspire creative decisions. Look at this stand across the river.
There’s some scarring from disease, or something, several dozen feet up. Take a closer look at that.
Put your “not in the real world” hat on. What if that scaring was from a massive beast? What if the Giant Elk of this realm were so huge that their antlers (looking it up, yes elk have antlers) rubbed off that bark that’s a full 30 feet or so above the river.
What happens when a herd of them walk the river during logging season with their massive legs crushing through or between the barges? Or are these Elk the friends of your woodland dwelling elves, gnomes, goblins, or other races? Are they ridden like elephants?
The answers are up to you.
Trees are also our mighty connection to history.
Did you know the Mountaineer Tree on Five Mile Drive is about as old as William Shakespeare? He was born in 1564, that's over 450 years ago! pic.twitter.com/4vnpx0JH2z
Tolkien recognized that. The age of trees is why the Ents knew so much and also why they’d become peaceful and rooted. When you see so much life pass before you are the little lives so precious?
In the World of the Everflow, the Dragonleaf Trees are ancient, from the era before legends, when Dragons and the other Ken were part of the world of Kin. But they are also dying. A breed that is honored while also being forgotten. They do not seed. They do not spread. There are only twenty or so of these ancient trees left, with almost all of them in the Tree District of Qin.
When a tree is a millennia old what does that signal in your world? Are they like the trees of Solace in Krynn, with homes and workplaces scattered within the branches? Or is it a single tree from the time before time the sits alone in a desert, with roots that stretch hundreds of feet down and branches in the sky that reach to the clouds, a trade post surrounding this tree so big that it creates its own climate?
Every journey you take. Every book you read. Every show or movie you watch. Every song you here. Every social media post you scan.
They’re all inspiration for your world, your character, your dreams. Share them with your table.
When a new Unearthed Arcana drops much of the focus is on the mechanics. They are mechanical tests after all. In some cases the development team removes story mentions to not taint the survey results. This UA drop is focused on playing as Undead or Fey. The purpose is to test Dhampir (emergent vampires, kinda), Hexblood (emergent hags, kinda), Reborn (those that hover between living and dead, mostly).
The mechanics are intriguing. The Dhampir has a bite attack that uses Constitution for its damage stat, which makes sense. The Hexblood has a superior version of Message and Arcane Eye combo. Reborn are sleepless, with a kind of elvish trance available.
More important than the new racial options and mechanics is the sidebar titled Design Note: Changes to Racial Traits. Thanks to Justice Arman for calling this out on Twitter and forcing me to look deeper into the change.
Let’s take it piece by piece.
The first paragraph further emphasizes the small changes in Tasha’s Cauldron of Everything. It’s a solid reminder of the product and the small steps already taken.
In 2020, the book Tasha’s Cauldron of Everything introduced the option to customize several of your character’s racial traits, specifically the Ability Score Increase trait, the Language trait, and traits that give skill, armor, weapon, or tool proficiencies.
Paragraph two is a reminder that the work is not done. Forward all D&D books are removing those elements from races that are purely cultural, as well as the Ability Score increase. This will obviously, and *necessarily*, impact the current races (a change that will be simpler via DnDBeyond and other digital systems than those with physical books. There will still be physical and magical differences for the characters with certain races.
Following in that book’s footsteps, the race options in this article and in future D&D books lack the Ability Score Increase trait, the Language trait, the Alignment trait, and any other trait that is purely cultural. Racial traits henceforth reflect only the physical or magical realities of being a player character who’s a member of a particular lineage. Such traits include things like darkvision, a breath weapon (as in the dragonborn), or innate magical ability (as in the forest gnome). Such traits don’t include cultural characteristics, like language or training with a weapon or a tool, and the traits also don’t include an alignment suggestion, since alignment is a choice for each individual, not a characteristic shared by a lineage.
The final paragraph is a strong reminder that a character is not the normal part of any culture, species, lineage, or race. The player-character occupies a unique space within a D&D world. They are heroes or anti-heroes, not paragons of a racial group.
Finally, going forward, the term “race” in D&D refers only to the suite of game features used by player characters. Said features don’t have any bearing on monsters and NPCs who are members of the same species or lineage, since monsters and NPCs in D&D don’t rely on race or class to function. Moreover, DMs are empowered to customize the features of the creatures in their game as they wish.
The multi-year critique directed at D&D in regards to its history and legacy of racism and racial-tinged rules is having an impact — a slow one. This are necessary changes. Some of them are small. Some of them are big.
To borrow from Jemma Simmons, Agents of SHIELD, “The steps you take don’t need to be big. They just need to take you in the right direction.”
These are steps in the right direction. This is progress. The path forward is exciting.
Naming characters can be hard. For a DM coming up with names at the spur of the moment can lead to a stoppage in play as their mind struggles to find something appropriate for the NPC that was supposed to be a background character, but your players have thrust that individual into a major role.
For most players, naming a character is a rare event. It is usually the first or last thing that they do. Then, it’s over until the next campaign starts. Still, you want to get the proper name for your character, because you will carry it with you for a long time*.
*strong exceptions for rogues, criminals, urchins, and the like.
As someone who both creates way too many PCs, and once named a formerly non-notable NPC “Anderson” after the car dealer across the street from the restaurant hosting our session I’ve developed a few tricks to naming characters.
Easy Button
Those of you using DnDBeyond.com probably already know this, but the Fantasy Name Generator has well over 100 different naming categories. Click the category and it will spit out ten names. Simple is as simple does. Sometimes you’ll hit those buttons a dozen times to get the one you like.
Xanathar’s Guide to Everything
All the way back in November of 2017 Wizards of the Coast released Xanathar’s Guide to Everything. The book is most well known for being the first official significant expansion of character classes in 5th edition. Those people into optimization ranted against the inclusion of almost 20 pages of names.
Frankly, it was a poor critique.
There are so many more people picking up the game every day, every month, every year. They don’t have the knowledge base that stretches back editions. They may not want unofficial sources for fantasy names.
Xanathar’s includes official lists of fantasy names as well as dozens of real cultures that are often captured within your gaming table. This section is one of the forgotten joys of Xanathar’s Guide to Everything. Cracking the book open to those sections should help inspire your next character’s name.
Use Athletes for Inspiration
After working in sports for nearly 15 years, there should be little surprise that they become part of my gaming paradigm. There’s a reason that Sports as a Tool exists in my worlds.
Sports, particularly Olympic sports and soccer/football, are an excellent way to discover wonderful inspiration for names. Just look at the recent MLS SuperDraft.
Mitch Guitar was drafted. Who doesn’t want to make a Bard called Mith Lyre now?
Sondre Norheim was drafted. Could that be your next dwarf named after a powerful elven king? Yes.
Real people and cultures can inspire your name. Honor those peoples through the name of your character.
To discover new names head to a reference website covering a sport with international play. Click on a league outside of the mainstream, click a team at random, and combine a two-four players’ names. Drop a couple letters, or add a few. Research those players because their lives can help inspire you the same way that reading Tolkien can inspire you.
As a DM, I try to have a small selection of NPCs already made up ahead of a session. These index card sized characters are there because my players will always surprise me. Most of their names have come from various athletes around the world. Some will be consistent within a certain set of cultures, while others recognize that the fantasy worlds in which we play are generally as interconnected as the modern world in which we live.
Your naming conventions should embrace the fact that the peoples travel extensively.
Nearly everyone on the internet has heard The Wellerman a dozen times, with different variations popping up every day. Maybe you’ve even experimented with other sea shanties, because frankly when you are stuck at home the unity of the working-class’s songs helps you feel like you are part of something greater than yourself.
That’s a large part of the reason that ShantyTok exploded off of Tik Tok to take over all social media. Now, it’s even inspired people to start talking about the best film about the Age of Sail — Master & Commander.
Frankly, you need to add shanties to your D&D game too. There lots of ways to do this, from just a single character to an entire campaign. Do it. Have fun. Embrace the zeitgeist, and make your gaming community a group of unified purpose — surviving a sea and sometimes even a captain that hates you.
Every Class Can Be A Pirate/Privateer/Sailor
First and foremost, realize that any and every class can be a sailor of sorts. The obvious way is through the use of the Sailor/Pirate/Privateer Background. You already know this. You also know about the Swashbuckler, because you are a wise soul.
But there is more than that. Every single Bard in the core D&D game can fill a role on a pirate ship, so can every Rogue. Most Clerics make sense, etcetera, etc. Be creative in the roles and purpose on a ship. Your concept belongs there, even a fully armored Paladin, with those drawbacks, belongs aboard a galleon in the Age of Sail.
Just a quick glance at Tasha’s Cauldron of Everything shows some great concepts for your shanty-singing adventurer;
Artificer: Artillerist – Who needs gunpowder when you have magic cannons?
Cleric: Order Domain – Someone has to keep the law of the ship and boost the crew.
Druid: Circle of Stars – The blessings of the sky are vital during a trip across thousands of miles of ocean.
Rogue: Phantom – The latter Pirates of the Caribbean movies lean into tales where dead men talk.
Warlock: The Fathomless – duh
Making the sea even a small element of a campaign gives space for your shanty-singing glory.
Seas of Voldari
What if every character was part of the story of the sea? That’s what Tribality’s Seas of Voldari explores. Their words describe the setting and ruleset well.
The Seas of Vodari campaign setting was created to support seafaring adventures that focus on the crew of a ship hunting sea monsters, exploring mysterious uncharted islands, visiting bustling port cities, following maps to find buried treasure, and battling cutthroat pirates. The setting is also well suited to running campaigns in its large port cities, with swashbuckling heroes getting mixed up with fierce rivals, notorious crime syndicates, feuding nobles, and scheming politicians.
The added classes, races, and backgrounds make life at sea the key element of most adventures. Add them to your existing campaign and your players have more options to enjoy their sugar & rum & tea.
Be Creative: Add Shanties As A Landlubber
While The Wellerman is all about the Age of Sail, shanties were not confined to life at sea. There are shanties about building railroads, working mines, and every other activity that requires a group to work in unison in miserable conditions — the marching and running songs of soldiers are related to shanties.
Hi ho, hi ho It’s off to work we go
Yes, your dwarves should sing shanties. Your drudge cutting down trees for the lumberyard should sing shanties. Your Bard at the bar should sing shanties, and so should your Battle Master.
All times of needed unity are appropriate for the musical style.
This can add more ideas during campaign prep or character building.
Watch Black Sails. It’s Hulu, Starz, and Prime (season 1) for no additional charge. The season one trailer opens you to the TV prequel for Treasure Island, but it’s season 4 that gets my blood pumping.
There’s also the now-classic cartoon Pirates of Dark Water, which is especially handy if you want a Seas of Voldari campaign. It’s hard to track it down, but if you can find it the mix of piracy and fantasy is perfect for a Dungeons & Dragons.
The films, books, comics, and such inspired by life at sea is numerous. Your approaches to integrating that into your campaign should be as big as the ocean.
For forty days or even more, the line went slack then tight once more, All boats were lost, there were only four and still that whale did go.
The quest of the Wellerman is the quest of Ahab, and a familiar quest for any adventurer, because it’s never done, merely paused for a bit of song and rum.
Prekx was happy to get hired for this job. Anytime he could get further from the village with all their suspicious eyes was good. Many still thought of him as a goblin, and not just a fence maker. Even now, with his reputation after building Gujri, the steel goat, to find the gaps and holes faster than real goats and at no loss of meat there were those who thought about the attack from his former tribe. Prekx didn’t even know his tribe. He’s just known the land around Flowing Lake.
Growing up under the care of the mage Alizon, he learned what magic could do and that if you know the proper gestures, and words, and components you can just do things. Not normal things – big, impressive things. That’s how he learned the spells that helped him make up for his weak size — Mold Earth and Mage Hand.
Magic helped him overcome size and strength. It introduced him to carpentry and the fine works of woodcarving. It helped him build Shrubbrs – that tiny cluster of branches and roots and thorns with a heart of fire-stone. Magic is where he turned, because that’s where he had his friend.
Gujri would find the hole in the fence. Then Prekx and Shrubbrs would join the steel goat there to clear some land around it, make it easy for the human to repair. Instead of standing in brambles they would have space.
Then it was off to towards the river. Someone needed a string-metal fence. Normals couldn’t make that. It’s a little invention that he came up with using his artifice. Lighter, and stronger, the string-metal fences were become popular. They will hold out the vermin, hopefully. There’s a flock of cockatrice and a cluster of giant spiders that are an issue lately.
Maybe he can fence those towards each other? It would be easier than a herd of sheep being petrified or chicken coop covered in webs.
“Gujri! Get over here,” Prekx shouts.
The only answer is the crank of rusted metal. That’s another problem altogether.
The concept for this character started in a simple place. I was working on horse fencing, which is hard, physical drudgery. The thought sprung into my head ‘how would a D&D hero do this?’
That starts with Mold Earth and Mage Hand. Between those most of the digging and walking over back-and-forth, back-and-forth, back-and-forth, sorry distracted by all that walking, just makes things easier. I looked into a sorcerer for that, but unfortunately it didn’t quite represent what I wanted.
From there, taking the Feat: Magic Initiate became obvious. In order to be an expert carpenter (the closest tool to a fence maker in the game) meant one of three choices. Artificer felt better than Rogue and Bard. The reason for that is that the handy assistance from the built companions just made too much sense.
Shrubbrs and Girji would be invaluable aids in maintaining and building a fence. Not only that, but a worker on the edge of a civilized area could use the extra defensive help from a steel goat.
Throw in a cool photo of Goblin Gulch, and now, a character is born.
Goblin Gulch by Nick Wietzel
There will probably be a deeper dive into Goblin Gulch later, but in Prekx’s case he left the Gulch when young.
He’s Flowing Lake’s (an idea I came up with during the recent flooding) best fence maker. That background was based on the Folk Hero, with minor tweaks.
For the flaws I leaned into the goblin tribe he left, saying that the ruler there wants Prekx dead. Also, he learned to hate bullying from his youth as a goblin. He learned to love magic from his latter youth as a student with Alizon.
His sincerity he picked up because he’s damn good at his job and he’s a goblin. He will never hide either of those things.
Finally, he’s confident in his abilities and do what he can to instill confidence in others. But at times he will misuse long words because his education started late.
On a Tuesday during the depths of winter Wizards of the Coast announced their latest product release for Dungeons & Dragons — Candlekeep Mysteries. The adventure anthology format is not new to 5th edition. Previous releases Tales from the Yawning Portal and Ghosts of Saltmarsh were both collections, rather than full paths that are designed to be a campaign.
Candlekeep Mysteries is different though. The design intent is that the 17 adventures can be completed in just a single session of a few hours. That’s a great tool for people who struggle to keep a group of players together meeting regularly for a massive path that takes months. Getting 2-4 others together for just 2-4 hours is much easier than planning a weekly session that lasts years.
17 One-Shots
That’s one of the key reasons to get this book. As someone who designs a massive world, I lean towards the campaign format. But that means throwing together a single session as more and more friends want to try to game is difficult.
Now, I’ll have a resource of shorter content than the Starter Set or Stranger Things Boxed Set. Neither of those are able to be completed in 4 hours, though the Stranger Things box can probably be done in ten or so, even with someone as verbose as me.
Having a book of one shots on hand will be an excellent addition to my DM tool chest.
The Alt Cover Is Art
The alternate cover is available at your local gaming store on March 16.
Put that on a shelf in a public space, and your non-gaming friends will think you own a fancy tome. It’s brilliant and evocative. The only way you can get it is by supporting your local gaming store. You should always support your local, and particularly so in the current pandemic-economy which threatens their very existence.
Introducing #Candlekeep Mysteries, the latest adventure anthology in the Forgotten Realms setting! Explore this collection of new mysteries by up-and-coming D&D designers from across our community. These short adventures arrive March 16!
Yes, the other cover is more like your other books, and certain completionists might like that look. Me, I’m no longer interested in hiding my passion for D&D. I want fancy books and knickknacks that inspire people to ask me about my shelf space — whenever they can enter my home safely again.
Embracing Critical Diversity
Looking over the 19 authors behind the tome you see people who not only come from diverse backgrounds, but who are vocal in their critique of D&D’s history and present. These voices were not shunted aside, but instead featured in official product.
Barber is a Black veteran from Canada who has critiqued Wizards, D&D, and other games for the way they address issues for his communities. Kwan is one of the voices behind Asians Represent. His voice has elevated the discourse regarding Asian themes within gaming. Now, both will feature in official product.
This collection of authors, editors, artists, and more embraces that concept and provides the DM with content that breathes that very statement. It is a brave and responsible action by a company to not only accept the often harsh criticism, but to take those critics and give them a larger voice.
If you didn’t get the clue from Darius Dondermonger, I enjoy heroes with interesting backstories. A cheese maker can become a famed ranger. Your cleric may have just been a mercenary, or a candlemaker. That butcher in the village that was conscripted? They’re now one of the realm’s greatest fighters.
Backgrounds are the D&D rule that best embraces this concept in 5e. Toss in a dose of Xanathar’s Guide to Everything Chapter 1: Section: This Is Your Life and you’re on your way to having a backstory that embraces the pre-hero version of your character.
Still, it takes a player that is willing to embrace that zero part of your zero-to-hero journey. It’s up to you to embrace the idea that a fence maker can become a powerful sorcerer.
That’s essentially what the “My Next D&D Character Is…” thought-bombs are over on twitter. They are the embrace that these unconventional Dungeons & Dragons concepts are as valid as the the mercenary, the head of the local thieves guild, the student-wizard, the acolyte-cleric. Normal people get caught up in grand stories. Your adventuring party and character creation should embrace that.
Throw off the yoke of convention and make the story that you want to tell. Make the character that embraces some small aspect of you, your friends, or just that person down the street – amplify that and create. All stories are valid. Everyone can become a hero.
For the most part, when creating these types of characters with no homebrew rules I start with the Folk Hero Background (the Guild Artisan is #2), and then remove all of the skills, languages, and tools. The mechanics are then built around the profession. Use the tool that makes sense, add two skills that fit the closest to the concept, and then add a language or another tool to round out the idea.
In DnDBeyond.com this is done in standard character creation during step 4, custom background. There’s then a choice of 2 skills + [options]. You will also be asked which feature to adopt (Rustic Hospitality is likely the best). It’s quick and easy, and part of the core system as 5th edition is designed.
The more complex way is to partner with your DM to build custom backgrounds from scratch, or connect with me and take one of my 40+ concepts out for a test drive.
Character concepts come from all sorts of places. Sometimes they grow over years, tended like a rare flower they sprout and bloom after long care. Then there are those that burst forth from your mind to page (actual or digital) in a flurry.
Darius Dondermonger came into being when two roads combined. The first road originated some time ago, when the D&D released the Drakewarden. Dragons are quite important in the World of the Everflow, so I knew I would revisit the Drakewarden. The second road came when grocery shopping. We needed cheese, lots of cheeses. Yes, we’re fans of charcuterie. These roads merged when reading about Dragon’s Milk Stout’s web-RPG release. As often happens, flavor started to inspire the story.
The Chef Feat in Tasha’s Cauldron of Everything is quite useful for someone who latches onto flavors like this. That pushed towards a Variant Human so that the foods he creates can help heal and/or inspire his companions towards greatness.
Darius Dondermonger kept growing. From a legacy family in a small village, Darius was to be the head of household and manage the ageing of grana (think Parmesean and similar cheeses). Some of these for decades. They use adjuncts at times. That is what sent him to the forests and hills of the area.
He is also flawed. Not only does he prefer the hunt for herbs and the like to management, he also prefers the making of cheese to business. That’s part of why he rejects the full family name. The other part is that he does not feel he’s earned that name, for he has lost something special to them.
Lastly, he took on Dunder, due to his companion’s, and later his own, connection to thunder & lightning.
He is more than just a ranger, more than just a cheesemonger specializing in aged cheeses – Darius Dondermonger has a small dragon companion and has discovered that he is also part dragon. The family’s most exclusive grana comes from their age-old connection to drakes, wyverns, and all of dragonkind.
That same blood compels Darius to travel away from town, for someone with his powers cannot just work the books of Amberhearth and Highwall’s greatest cheese makers. Someone with the blood of dragons must, must, pursue a grander destiny — and also find that which they’ve lost.
Whether it’s a critical failure (the dreaded 1 in combat) or forgetting your own abilities leading to tactical error every character will have to deal with defeat at some point, likely often if you aren’t into optimization. These losses are an opportunity.
Not all tales of heroes are about victory. Within pain and failure is the contrast to success.
Recently, in the final battle within Lost Mine of Phandelver the party was completely overwhelmed. We knew of 14 opponents, to include the adventure’s final boss. There are 7 of us. Awf is overconfident by nature. As a Hill Dwarf Bladesinger he wades into the frontlines accepting damage as part of raison d’être.
The problem with that became rapidly apparent as he attempted a rear guard action. Eventually four different bugbears were piling on the broadshouldered dwarf. No one was surprised when he fell unconscious and took a death save from another attack.
Norran, our Half-elf Assassin, slid through the traffic of combat to administer the only healing potion available in that part of combat. With the party split things looked dire for the rear guard group. Bring Awf back up gives Norran and Ambrose, Half-orc Beastmaster, and Awf a bit of hope, when things seem hopeless.
Our session ended in mid combat – and that’s when I remembered that Awf has a Staff of Defense.
AFTER taking numerous blows that dropped him. Through poor play as a player, I forgot about Awf’s 8 charges of Shield that he could use as reactions to limit the battering his body took.
It’s a dumb error.
Except, upon review it is exactly the type of error that Awf Hornjaw et Loragwyn would make in combat. It’s part of who he is and how he operates. My error was in fact playing to type.
Personality Traits I enjoy being strong and like breaking things. I face problems head-on. A simple, direct solution is the best path to success.
From Awf’s Background
And this is where embracing the failure becomes an epic tale. In next week’s session Awf’s overconfidence will disappear. Every single turn a Shield spell will be used to protect either himself or his companions that he placed in danger. Rising from his stupor he learned.
Being in danger is part of the joy of role-playing combats. There will be times that the danger is overwhelming.
Now, due to failure Awf will have a fireside tale that isn’t just about the failure, but also about the success. The mistake of the player will become the character’s epic song.
