The first Scholar to be discovered was the Necromancer. His works were hard to ignore, as the undead he mistakenly raised thinking he was helping the peoples of Fort Ooshar and Sheljar broke the empire. That built a distrust for newly released magic.
Sheljar, Telse, Mira, Qin and the other cities near the Everflow and its two rivers.
This is likely why Chorl attempted to hide. Not only was his work in Transformation often done involuntarily, Chorl wanted to conquer. His goal was to fill the gaps from the Fall of Sheljar, taking over the Western Wildes via his hybrid peoples. For Chorl, in all his evils, was creating new peoples, a combination of humanity and their companions.
Some chose to be combined, these peoples frequently became his lieutenants and sergeants. Many fled. The breaking of his camps and the deaths of Chorl and his Student Anderson created an opportunity to escape.
Now, the Children of Chorl exist in mixed pockets of freedom almost always outside of the major towns and cities. They may want vengeance hating Scholars and magic; they may want freedom; they may want to be respected. They are all hybrids in the World of the Everflow.
Mechanics for the Children of Chorl
To play a Child of Chorl in the World of the Everflow select a hybrid species/race. There’s a long list of them available in DnD Beyond now, thanks to Wizards of the Coast adding the Humblewood setting.
Though none of the core species for 2014 or 2024 D&D are Children of Chorl the current list from official products includes;
Then select a feat or bonded companion. Though all Children of Chorl were a goliath, halfling or human combined with a bonded companion, that doesn’t mean that they didn’t have more than one companion.
Decide what the character was before they were melded. They should generally be someone from the West. They can be someone who volunteered or not, that’s up to you.
Their background and class represent what they were before. How they present to the world now is similar to the X-Men.
My experience with Dungeons & Dragons doesn’t go back to the beginning. That would be kind of hard, as I’m not 50. It does go back to some of my earliest memories. For me D&D always started as a storytelling game, probably because the way the first DM I played under introduced it to me.
Derek convinced us to play because he was and is a storyteller. He knew that I loved The Hobbit, Narnia, King Arthur and Robin Hood. The pitch was simple — “Do you want to tell your own stories in the world?”
The answer was simply “Yes.”
We played with, those simple dice that needed a Crayon to color in the numbers. For some reason I only remember d6s and dungeons.
D&D is what started me on my journey to tell stories. I always thought those stories I would tell would be fiction. As of yet, conventional publishers haven’t accepted any of the short stories I’ve pitched.
But it also started me on the journey to be a journalist, and that worked out to be sports (mostly soccer) and then marketing tales. Derek’s connected to that journey too, but that advances several years into high school and again to when I was an emergent baseball blogger (which didn’t work out).
Later in my journey Dungeons & Dragons became the central point of my strongest friendships in those harsh teenage years. Like many GenX suburban white males, I was a latchkey kid in a neighborhood with cul de sacs and basements.
Those basements provided our play space and our avoidance. We avoided thinking about divorcing parents, impending nuclear annihilation, ozone depletion and whatever other terror the nightly news foisted on us.
Erik, Justin, Abel, Colin, Jacob, Andy, Chris, and the others — we hid from all of that. There were early video games, many board games, and other role-playing games, but it was D&D that was our unifying factor. The stories we told via rolling oddly shaped dice and convoluted rules gave us an escape. We were big, damn heroes. We were anti-heroes. We were thieves and priests and archers and wizards. We adhered to the noble codes that our imperfect real lives could not. We violated those codes to see what would happen.
That late 80s to early 90s version of D&D that we played was sometimes in dungeons and always dragons. Every world we played in had dragons in the background providing terror, often ending in a TPK.
My second D&D era was about avoidance. The stories and people helped me make it through the bad times — puberty, divorces, fights with friends, being the outsider from the in-cliques. Without that group I’d be a horrible athlete, the storyteller incapable of finishing a tale, a ‘gifted’ kid who avoided hard work, someone with constantly broken ankles and a body that doctors considered brutally altering because I was dramatically smaller than my peers.
In the Army I nearly avoided D&D. During my time at DLI I did participate in a Vampire: The Maquerade LARP in Pacific Grove, California. That was the only place I met non-military people while in that hybrid college-military experience. In 5th Group one of the 18D (combat medics) invited me to do solo play with him as the DM. That was basically impossible to keep up because our deployment schedules didn’t quite overlap. We also never played when deployed together. I’m pretty certain no one in his ODA knew that’s what we did when we hung out outside of work.
Then D&D disappeared from my life.
I thought I grew up.
I thought I didn’t need the funky dice, the tales.
5th edition brought me back after not playing regularly since 94 (the 5th Group experience was 97-98).
My current era of D&D is broader in playing styles, stories told and the people I play with. There have been two dozen people who have played in the now-seven campaigns within the World of the Everflow. Plus I’ve been a player in four campaigns and hosted a charity actual play for YachtCon.
Where my first era of D&D planted the seeds of creativity and the second era taught me math (and kept me as sane as I’ll be due to avoidance), this third era of my Dungeons and my Dragons is about exploring fellowship, exploring philosophical issues, confronting the issues of the era rather than avoiding them.
On this 50th birthday of D&D I discover that my eras of D&D are the eras of my life, showing a maturity in my life while being skills and abilities I continue to use in this life.
My game doesn’t really have dungeons. Dragons aren’t omnipresent. But it’s still the same game.
My game doesn’t roll characters. They’re created for story rather than optimization. It’s still the same game.
My game isn’t in the Forgotten Realms or another official world (or third party world). It’s a world concocted by me and mutually, continually created by us. It’s still the same game.
For forty years this game has been present in my life. At times it has been my most defining hobby. Other times it was locked behind a haunted door in my head, hidden but influencing my personal journey.
Today I don’t lock my passions away. People get to see them. They can judge me — whatever.
We’ll play in public today. Something that was nigh impossible in the 80s, when even my own family thought D&D meant devil worship.
All of the campaigns that have taken place win the World of the Everflow have focused on tracking down the various Lorebooks, with each group having other side quests, generally towards making the world for the common peoples of the Lands of the Six Kingdoms.
They’ve run counter to the Proctors, an evil faction that is trying to control knowledge of magic, and rogue Scholars who are spreading knowledge of magic in order to control people. Necromancy and Transformation are the ones most counter to traditional D&D goodness.
The only other super-natural organization is the Orthodox Church of Quar. The Quarites control access to the Everflow and a massive merchant endeavor with their churches also working as trade posts and shops for what are in game terms healing potions.
This world has no equal to the Factions of tradition D&D, or the Knights of the Round Table, or Templars or other super-national knightly orders. No one has wanted to be in one.
But if a player wanted to play a character with these kinds of ideals and/or oaths, we’d talk about how it would fit. Knowing my player base the inspiration would be the Free City of Sheljar, the egalitarian re-founding of Sheljar after the early campaigns purged the Necromancer, his agents of undeath and the Tunneling Nightmares (they’ll be the subject of a future Lore 24).
Based off the players and characters that founded the Free City such an idealistic organization would look similar to the Harpers, with a dash of de oppresso liber and a side of asymmetric organization.
Determination for all peoples Kin, Ken, Kon and any who think.
Share knowledge, so all in the world may live better lives.
Defend those that cannot defend themselves and their companions
Judge behavior, not the companion, the nationality or the faith
Recognize successes at spreading the word of a Free Shejar and Free Everflow
Like the oaths of D&D paladins, these ideals within the oath are aspirational. They aren’t to be perscriptive.
A player wanting to be part of this order wouldn’t necessarily pledge to sergeant or knight. They wouldn’t need to swear fealty to the current Mayor of Sheljar (Samul). The order would rise because the oath is a bit viral — it’s one that encourages heroic actions and fulfilling quests.
A band could be one halfling and her dog, or an entire airxip of goblins, or an adventuring party, or three elves visiting the Everflow that abandon their fey pacts, or a group of Mehmdians, or a village near Telse, or a tribe in Crinth. A band inspired by the ideals of Free Sheljar aren’t sworn to them, in fact the current governance of Kirtin-on-the-Lake is inspired by Sheljar, but free from them.
That’s the knightly order I would make if I were to make a knightly order.
One of the great parts of Dungeons & Dragons is the impromptu nature of it all. When you’re at the table, especially for a homebrew campaign, things just happen. The participants riff off of each other and a story is created that shouldn’t exist and can never exist again. It is a moment in time. Mijdaf was born in one such moment recently.
Mijdaf, the paddler
Mijdaf is an NPC in the current campaign. He started because the group needed transportation up the river from their neighborhood to one on the very edges of urbanity.
Me: There’s a barge pulled along the ropes on the side of the river.
The PCs: That seems slow.
Me: There’s also a paddleboat operated by a goliath.
The PCs: We take that.
That’s how a desert goliath living in the largest city of the region started to grow into relevance in the game. But at this point he’s just a ferryman in a boat. Sure, he’s huge and can paddle upriver faster than those humans can pull themselves, but he’s not yet unique.
PCs: What kind of birds does he have?
Me: Four seagulls that mostly rest on a branching perch above his head. He asks where your companions are.
PCs: We’re trying to get a new one for Lauray. Do you know a good breeder?
As Mijdaf I talk about two options and why he has one that he prefers. It’s one that doesn’t recognize the current government. Mijdaf starts talking about the history of the region that connects to an artisan that they’d met in the previous session.
They riff off of this, pulling more information from the goliath. It’s interactive at this point. They roll very well. I start playing into Mijdaf being willing to talk, constantly. Soon the PCs figure out that the reason that Mijdaf was available is because no locals will ride in his boat.
He’s not just a talker — he’s a conspiracy theorist.
Mijdaf pulls out a slate with tangential connections between various politicians, professors and military leaders. He keeps going.
At the table this was great. The players with me that day were smiling, nodding and laughing. The total scene may have been 10 minutes. There were some social dice rolls and a lot of me as the DM picking up on table clues to see what the group was enjoying and emphasizing that.
And then Mijdaf reached the destination, dropping them off. He and they never expected to see each other again.
A day later in game time the group needs to get back from the nearly rural neighborhood to their home base deep in the port city. They recognize a paddleboat, but don’t see Mijdaf. They steal the boat.
That’s how Mijdaf, the paddler, went from a simple single scene NPC into a character with purpose, gaming joy, and just possibly a problem for the future.
Within the World of the Everflow magic is relatively new, well besides the Everflow’s healing power and ability to flow in two directions and the powerful bond between beast and Kin. In the current Proctors of Song and Book magic returned ~27 years ago. First that was via the Born Generation when over a period of a year every child of Kin came of age knowing a single cantrip. About 7 years ago the Lorebook of Divination was found and over the following years, magic started to spread with the realization that there were 17 or so Lorebooks scattered across the lands.
The current campaign takes place in Sas Rurulit, where the Proctors are attempting to collect two Lorebooks. But the ingenious groups that control the Lorebooks down in this land broke them up. The Lorebook of the Book are people who cast directly from books and scrolls.
These peoples are manifesting magic at various colleges. The college of metallurgy used every fire and electricity spell to forge metals. The college of hydrology was water and air spells, with a bit of illusion. The Proctors (PCs) have essentially destroyed these two schools ability to function by either capturing or damaging the master books there.
In the last session they visited a public park that is also the School of Herbimancy.
Unlike traditional D&D approaches to herbs, the School of Herbimancy isn’t about ingesting herbs in some fashion to gain magical effects. Instead, the plants themselves are the magic.
For example, the paths in the park were softly lit at night via the glowing flowers of a particular plant (a version of Dancing Lights). Maybe the smell of burning needles from a deciduous tree heals (Healing Spirit). Fallen branches from a tree are a magical staff (Shillelagh). Within Sas Rurulit, this school’s magic is artifice meets druid — the plants are simultaneously technology and magical.
The group failed a series of checks, one with a natural 1, so they don’t know the professor in charge of the school. Instead, they got the name of the banker financing the project. A way to turn a nat 1 into a meaningful failure!
They also didn’t quite figure out that the seed room may be the equal of a scroll room or library at the other schools they’ve raided (some read this site and it would be a natural conclusion for the characters to reach after fleeing the fires they set to cover their raid).
I’m doing Lore 24, an attempt to write small lore elements daily in the year 2024. Each element will be something that’s come up in play or will come up in play within my homebrew World of the Everflow — there will be actionable threads for PCs to grab onto and advance the story.
Every year I publish a look back at my favorite writing, podcast and video appearances for the year. This helps me remember what I’ve done, re-up things to people who discovered me late in the year and when attempting to freelance it gives me a handy spot to find work to share with editors and other hiring managers.
Dungeons & Dragons
The most popular story in the history of Full Moon Storytelling is no longer about sports. My essay on how to use third places to amplify verisimilitude surpassed the sports and cultures essay and then lapped it, twice in just a year. This helped boost Full Moon Storytelling to have 74% more views than last year. Alos, in 2023 FMS had more total views and visitors than the total of either from its founding in 2014 to 2022. Federating via WordPress helped contribute to that growth as well.
D&D: Honor Among Thieves had an interesting release to judge as a success or not. Opening week was fine, but not great. The falloff was significant, and yet there are many reasons to think that there will be a sequel. It was a massive success when it came to marketing D&D and is one of the most streamed movies of 2023. My fascination with the mainstreaming of the hobby by Hollywood is one of my favorite writings.
Ended the year as the 8th most popular movie to purchase on Google, Rakuten and Amazon.
It spent 246 days in Google’s top 10 most purchased movies & shows again globally. That’s basically every day it was available.
On Paramount+, its primary streaming platform, it spent 228 days in the top 10 globally good for 9th overall. It spent the last weekend of 2023 in 6th worldwide and 4th in the USA on P+
On iTunes it finished 12th, with 224 days in the top 10.
In most Asia it was streamed on HBO Max. It spent 83 days in the top 10 globally for HBO movies, despite only being available in limited markets.
In much of Latin America it was on Star+. It finished 11th among movies on that platform, spending 46 days in the top 10.
Backgrounds continue to be my specialty. The most popular released this year was the Weaver, working its way into the top 5 all time.
During a vacation I saw roads with funky names and decided they can inspire D&D and other fantasy settings. You too can find inspiration in normal places.
Why do I keep a d20 in my pocket? Because it gives me a sense of belonging.
I sponsored two soccer teams. Our Flag Means Offside FC and What We Do On The Sidelines FC had opposite records on the field, but they’re both #1 in my heart. I’m already sponsored a spring 2024 team. I can’t wait to see the new jersey.
Sounders and other soccer
Back in 2008 I founded Sounder at Heart. In 2019 I left to work for Tacoma Defiance and Reign FC, rejoining SaH in late 2020. This year the current Managing Editor, Jeremiah Oshan took the site independent. As part of that effort I now write the twice-weekly newsletter now called the Ship’s Log.
I also help maintain the Depth Chart and cover Defiance.
Risk Intelligence
For Factal I also help with a newsletter — Benchmarker. Similar to the SaH newsletter, the open rates are climbing, click-through rates are climbing and distribution is growing. Mostly, my job there is to help people within Global Security, Business Continuity, Resilience and Crisis find our free resources (and then our paid service). The work we do there helps keep people alive and business operating. You can read more about that in our annual recap.
People outside of security and continuity fields will enjoy things I don’t do — the Factal Forecast and The Debrief. The Forecast is our editors’ look at the planned news of the next week. The Debrief dives deep into an issue that isn’t on the front page of US media, but needs attention.
Licensing incongruent products is hard. We’ve all seen poor attempts at Big Screen Movie + Pancake House, or French Fries and that other Big Movie Franchise. Getting the proper fit for tie-ins is art and science.
Dungeons and Dragons attempted bologna in the 80s and these days the lifestyle brand has a $70 two-slice toaster. Those don’t work. Their t-shirts have been great — I strongly recommend the Harper Motto shirt.
Merging coffee and a brand is also difficult. I’ve been part of this with a major morning show and a coffee brand in the past, that was a fairly natural fit. Gamers of all types and caffeine tends to be a good fit too. Mt Dew and various energy drinks have partnered with numerous video games over the decades.
The art and branding continuity is perfect. This coffee looks to be a perfect extension of official Dungeons & Dragons and presented by Wizards of the Coast. Easy access to the art is a big reason for that.
But there are plenty of these kinds of partnerships that get the art and branding wrong, despite the easy legal and marketing access.
The bag’s language is very 5e D&D in writing style. The ampersand is all over the sidewalls of the bag. That central art piece is tremendous — matching the aesthetic of modern D&D.
When I was a full-time apprentice coffee taster we focused on four major elements to coffee flavor — body, acidity, flavor and finish. Despite not working in that field for a decade now, that’s still how I approach flavor, including when selling beer or tasting wine for pleasure.
This is where Dragonfire fails.
Per the bag it is a medium roast, preground “for any filter” which basically means for various drip techniques/filters and wholly Brazilian beans. The label did not call out 100% Arabica (the website does), but there are no tell-tale signs of robusta or other varieties. It also says that it is “medium flavor.”
I did not perform a cupping, as the coffee was pre-ground.
I tasted multiple Chemex pourovers using a metal filter over the past week — my current traditional coffee preference. I also attempted to use it in an espresso machine, but was unable to tamp sufficiently enough to make up for the different grind size.
Body: fairly low body for a Brazil Acidity: essentially neutral Flavor: no spikes of premium flavors such as nutty, vanilla, etc Finish: very clean, no roughness which can be common in lower grown Brazils (this is where robustas would have been obvious)
For a coffee fan Dragonfire would not be a coffee I would suggest. As a gift to a non-flavor nerd who likes D&D and drinks coffee with sugar and/or cream it’s a decent choice.
For the flavor nerd who likes D&D I prefer Found Familiar coffees. I have a bag of Fey Magic waiting for a cupping, espresso tasting and pourover just as soon as I’m through my Middle Fork roaster and right before switching back to Campfire’s Summer Camp.
Giant Freaking Robot says that Netflix is in talks to bring Baldur’s Gate 3 to the screen. They don’t know if it would be a movie or a series yet, but the series makes more sense considering the amount of content in the video game.
There’s also a long simmering rumor that once Joe Manganiello gets done with he and his brother’s D&D documentary he’ll resume pitching his long-sought Dragonlance series. Manganiello is helping push the previous efforts at the doc over the line, there will be archival footage of many of the early particulars plus modern interviews with those in the current culture.
Yes, Hasbro and Wizards of the Coast let a lot of people go this week. The weakness of their position may be why Giant Freaking Robot has the exclusive about the deal. It’s a way to get funds for the struggling company fast.
Additionally, on Plex and Freevee there are three recently new D&D shows. On D&D Adventures you can watch a Heroes Feast (D&D cooking), Faster Purple Worm! Kill! Kill! (D&D comedy where everyone dies) and Encounter Party (an edited actual play). The Free Ad-Supported Television channel also has the original D&D cartoon, DesiQuest and Rivals of Waterdeep.
First appearing to the mass market fanbase within 5th Edition Dungeons & Dragons in Eberron: Rising from the Last War and now in Tasha’s Cauldron of Everything, the Artificer is a kind of techno-wizard. For someone without previous connections to Eberron, the setting that exploded on the scene in 3rd edition, the Artificer confused me.
The fiction upon which it is based seemingly is all self-referring, or modern fantastical. There’s a subclass that essentially reads as if it is Iron Man ported back into D&D for example. Whereas most D&D classes stretch into the myths and legends that predate the game itself, the Artificer does not seem to have that convention.
Oddly enough, it was a Christmas movie that reminded me of Artificers within our lore. There are magical techno-wizards within holiday tales. From Christmas elves of tradition, to the inventors of Jingle Jangle, you can find your inspiration for your next Artificer.
These creators take the mundane and imbue it with magic. They create automatons, magically tinker, infuse items, and all the other things you expect from the description of an Artificer.
Masters of invention, artificers use ingenuity and magic to unlock extraordinary capabilities in objects. They see magic as a complex system waiting to be decoded and then harnessed in their spells and inventions. You can find everything you need to play one of these inventors in the next few sections.
Artificers use a variety of tools to channel their arcane power. To cast a spell, an artificer might use alchemist’s supplies to create a potent elixir, calligrapher’s supplies to inscribe a sigil of power, or tinker’s tools to craft a temporary charm. The magic of artificers is tied to their tools and their talents, and few other characters can produce the right tool for a job as well as an artificer.
Opening up a vision of an Artificer to include these amazing gift-gives also helps change how you approach D&D. A character of kindness and generosity, or that thieving Gustafson, expands the stories you can tell. When you visit the village you can brighten the spirits of the community via your infusions and spells.
It may be a Hallmark/Lifetime/FreeForm/UPTv cliche, but there is magic in the holiday season. Incorporating the magic of elves, toys, inventors, Santa, and others into your D&D characters and stories means adding more joy to a game that so often centers violence.
Generosity and joy exist in D&D (even in Barovia). Your Artificer has the power to amplify those feelings (while also being an effective combatant, but there are many places that talk about optimizing in those ways). There are 1,000 times a thousand stories available at any table and any session. Adding a little Christmas to your Artificer is a way to discover more of them.
Be Jeronicus, Jessica, Journey, or even Gustafson. Be Alabaster Snowball, Bushy Evergreen, Pepper Minstix, Shinny Upatree, Sugarplum Mary, or Wunorse Openslae. Roll dice and tell stories about the power of Artifice.
Overshadowed in the product reveals and release schedule, which has now be reduced to “coming soon,” was an immense amount of new art for the 2024 version of 5th edition Dungeons & Dragons. Every class will have full page art.
Every subclass with have art. Every background will have art. If a picture says a thousand words, then there will be more story revealed in the upcoming Player’s Handbook (at one point coming in late May next year) than ever before. This, and the increased font size, and the increased number of subclasses, and the additional spells and more feats, is why it will be the biggest PHB ever.
The amount of art is amazing. Look at this potential spread for Backgrounds (it should be noted that nothing shared at PAX U is considered final).
That’s quite evocative.
It’s the details where I get sad. 5e has transitioned away from having racial/species modifiers to attributes. From Tasha’s forward the encouraged option was to have these as floating selections that power players to create a wider variety of story.
Two alt-5e variants have followed suit. Tales of the Valiant from Kobold Press no longer has stat increases. They just grant more points for point buy or larger numbers for the standard array. Level Up and Advanced 5e from EN Publishing has a +1 from Backgrounds and a floating +1.
It seems, based on the image shared by Jeremy Crawford during the PAX U panel that Wizards of the Coast will be backing away from floating bonuses and instead assigning all bonuses to backgrounds. Since 2024 5e D&D is also removing Traits, Ideals, Bonds and Flaws from backgrounds we are losing another way to tell story via one of 5th editions best additions to the game.
In 2024 backgrounds will have ability score improvements (ASI) and a lower-powered feat, two potent mechanical advantages at lower levels. In D&D both of these will be heavily tied towards combat mechanics. It is less likely that stories of the Acolyte who became a Fighter are seen at tables because why would you want to damage your ability of a Fighter to do fighter-y things?
And this continues. The Soldier will have a Feat that makes sense for a soldier, as well as ASIs related to soldiering. This makes sense for specific stories, but only narrow tropey ones.
Since Wizards is removing personality and background features (five items very tied to social and exploration pillars) the game will be even heavier into combat — by rule.
There’s still time to fix this. Reduce the ASIs associated with Backgrounds to maybe a +1, recognizing that every background is tied to some sort of stat. Then have the other two +1s float where the player wants them. That way story-driven players and those seeking maximization will both be able to find angles for their tales.
Additionally, if the TIBF were too much, narrow these options. Use keywords rather than sentences. Have a bold, brash soldier. Maybe the aristocrat is well-kempt and haughty. Still empower DMs and the rest of the table to reward social roleplay by granting Inspiration.
Every single step of 5th edition’s living development has expanded story.
Wizards of the Coast should not step back from the expansion of story in the 2024 evolution of the game (floating ASIs in Tasha’s, species with less racism, not tying species/backgrounds to specific classes, new subclasses that capture the zeitgeist and more). Instead they should find ways to continue to expand the tales we tell via this game of dice and friends. Releasing most of the ASIs associated with Backgrounds is a way to do that. As is returning some of the traits and flaws that define our characters both in play and mechanically.
Full Moon Storytelling 